Our Premier Album of 2025: The Artist's Lux Secures the Top Position.
On the surface, this album may look closer to a challenging academic examination rather than the latest pop record by an artist who just had a previous single was a collaboration with an international pop star. Split across four separate parts and performed in 13 languages, we have a dizzying orchestral-influenced work that delves into female mystery, spiritual ascent, and corporal change, frequently through the lens of various women saints. The dissolution of a love affair—a theme handled with raw openness on another major 2025 album—is launched skyward on this record, supported by the constant sound of a major symphony orchestra and input from an award-winning composer within an extensive roll call of collaborators. The pure ambition by itself makes the efforts of contemporary pop stars look quite laughable.
Transcending Academic Pretense
The fact that this album succeeds in transcend dry intellectual posturing is nothing short of a miracle, with complete praise going to RosalĂa. Although this is not the first time album to fuse historical sounds and modern styles, its scale feel far greater on Lux, and the tightrope walk far more dramatic. What really raises her fourth album, outside of its complex tunes, dense compositions, and inherent theatricality, is a core sense of fun. Similar to the legendary artist during her peak, there is a captivating sense to the vocalist's voice which sweeps the listener up in its tornado. Even when she's breaking your heart apart, you still desire to be right there through the journey.
A Signature Example of Exuberance
This playful energy comes forth brightly on the stirring piano-led song inspired by a saint. It bathes in a string-drenched whirlpool over several moments. Suddenly, all the music falls silent, to reveal we hear a spontaneous laugh and a comment prior to a comically over-the-top string surge crashes down like cartoonish force. The track immediately shifts to the frenetic single featuring galloping strings, a powerful choir, and a cameo role from the artist herself.
"The magic of Lux lies in you never quite understand—nor want to know—where you is going to next."
Almost each song concludes in a completely different place than where it began. One moment examines the transient nature of celebrity over a featherlight orchestration only to collapsing in electronic chaos. Elsewhere, a cut that recalls the artist's previous trap-infused work begins out moody and brooding, featuring menacing beats, before sudden flamenco rhythms and a heavenly chorus arrive to soften the song's jagged edges.
The Bridge Between Experiment & Accessibility
A key achievement of Lux is navigating the gap of bold experimentation and mainstream accessibility. This is no coincidence that the album has become her highest-charting work to break into the upper reaches of key charts: at its core a collection of utterly catchy pop songs. A song sung entirely in English builds around a chorus that feels to gather more and more infectious melodies while it spirals skyward. This trick gets echoed by another powerful ballad that expands and contracts, intertwining multiple tunes like a complex weave.
- A waltz-like number charms via its playful, theatrical drama and an anthemic chorus.
- In its words, it aligns with pop culture impact of contemporary breakup anthems, eviscerating an ex- lover described as an "emotional terrorist".
- Throughout the album, the vocals have a sharp edge, akin to a fairy-tale figure hiding a blade: "Gold medal in acting like a motherfucker / You've the podium of disappointment."
A Maximalist Banquet for the Ears
Lux is pop on a grand level, a hungry grasp for high Art in an era of looming artificial blankness. It rejects solipsism for sublime transcendence, creating a dramatic spectacle that skillfully controls its own inherent ridiculousness. It is a deep well of hidden gems that takes patience to completely explore but doesn't seem like hard work. While some major releases of 2025 felt like feasting on scraps, Lux offers a sumptuous banquet where the guests at the table, some intoxicated on sacred wine, flit from discussions about ancient saints, the profound feeling of heartbreaking grief, and common gossip about hopeless partners. It is a modern-day theatrical production from music's most endlessly creative visionary.